“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Tuesday, October 25, 2016

News: the Irish Book Awards’ Crime Fiction Shortlist

White smoke billows, the bells ring out, trumpets parp, etc. – the shortlists for the Irish Book Awards have been announced, and the nominations for the Crime Fiction Award look a lot like this:
Crime Fiction Award
Distress Signals – Catherine Ryan Howard (Corvus)
Little Bones – Sam Blake (Bonnier Zaffre)
Lying In Wait – Liz Nugent (Penguin Ireland)
The Constant Soldier – William Ryan (Mantle)
The Drowning Child – Alex Barclay (HarperCollins)
The Trespasser – Tana French (Hachette Ireland)
  Those of you with long memories will remember that I suggested a shortlist about a month ago; of that list (of five books), there are two books on the actual shortlist – Tana French’s THE TRESPASSER and Liz Nugent’s LYING IN WAIT – but there’s no place for Alan Glynn’s PARADIME, Adrian McKinty’s RAIN DOGS or Stuart Neville’s SO SAY THE FALLEN. I did suggest that Sam Blake and Catherine Ryan Howard might well make the shortlist, although I wrote off William Ryan’s excellent THE CONSTANT SOLDIER on the basis that it’s not a crime novel. As has been the case in recent years, the IBA has made a virtue of shortlisting debut authors (two), and there are three previous winners on the list in Alex Barclay, Tana French and Liz Nugent. As I also suggested on my shortlist prediction, women writers have continued the trend of previous years by dominating yet again, with five of the six nominations. Hearty congratulations to all those nominated, and the very best of luck; meanwhile, commiserations to all of those who weren’t shortlisted: 2016 really was a very strong year for Irish crime fiction.
  Meanwhile, a special mention for Jane Casey, whose brilliantly chilling ‘Green, Amber, Red’ – from the TROUBLE IS OUR BUSINESS collection – was shortlisted in the Short Story of the Year category. To wit:
Short Story of the Year
Here We Are – Lucy Caldwell (Faber)
K-K-K – Lauren Foley (Ol Society – Australia)
The Visit – Orla McAlinden (Sowilo Press)
Green Amber Red – Jane Casey (New Island)
The Birds of June – John Connell (Granta Magazine)
What a River Remembers of its Course – Gerard Beirne (Numero Cinq Magazine)
  For the full list of shortlists and nominations, clickety-click here

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